The stock grand piano sounds are totally acceptable, although the expansion piano options give even more character and depth to the acoustic piano function. There’s also a scene function, which allows you to save up to 100 different snapshots of the entire keyboard setup for fast on-the-fly recall, and a pitch bend wheel. The full keyboard polyphony of the V-Piano engine, and 8 full assignable zones for combining internal patches (including software instruments and soft synths) together in different key ranges without even batting an eye, make the RD2000 a dream for keyboardists of all stripes. The RD2000 features one of the highest-fidelity wave signals of any digital product on the market, period. The modeling approach to sound is a relatively recent innovation in piano technology, and essentially refers to real-time control of a particular sound that’s not derived from a sample, offering more editable parameters and the tactile response of generating quality ensemble sounds in real-time. Roland’s fully modeled V-Piano technology engine with full polyphony and a second SuperNATURAL piano generator make up the dual sound engines. The RD-2000 stage piano has two independent sound engines. Digital Piano Sound Engine Comparison Kawai MP11SE That being said, the extra 30 lbs of weight on the MP11 can’t be ignored, and for many folks, the balance of a much lighter instrument that still has a great action will be preferable for many performing keyboardists. I think many folks would agree that if your number one priority is touch and a close-to-acoustic playing experience, then the MP11SE has the RD-2000 beat, as it boasts the most authentic grand piano touch in a stage piano. Given that I personally own an RD-2000, I can attest to the durability of this hybrid wood action as I have put my RD-2000 through the wringer of all types of professional scenarios and live sets over the past few years. It features a beautiful ivory feel and ebony texture on the key surfaces.Īlong with escapement and accurate triple sensor. The action feels and behaves differently than the PHA-4 plastic action, both in terms of sensitivity as well as physical feel due to the hybrid keys which are a mix of plastic and wood.Ĭlassical players and people using this action for solo work will be far more impressed with its precision and playability, whether in a studio setting or live performance over the PHA-4. ![]() However, the FP90 and RD2000 are the only two portable models to be equipped with this upgrade. On the other hand, Roland has deployed their newer hammer-action design, designated the PHA-50 keyboard (Progressive Hammer Action keyboard), on several of their high-end models, including HP and LX series instruments. ![]() You’ll also want a substantial keyboard stand for this instrument due to its weight. So this is either reserved for those with roadies or studio work. I’ve been lugging huge slabs my whole professional life, I’m 5’10” and 180 lbs, and this sturdy metal chassis with black polish wooden side arms is back-breaking to try and do myself. The only hitch is how one defines portable… at 72 lbs, it’s ½ the weight of a lot of piano players – especially females – who this is being marketed to. It’s really hard to argue that this isn’t the very best action with the most articulate control available in a portable product, though Yamaha does offer a fully wooden-key action in their P515. The action feels robust, extremely responsive, and beautiful to play at any speed, velocity, or genre. ![]() It uses a triple sensor, counterweights, a let-off simulator, simulated ivory touch keys, and of course the full-length wooden keys that pivots on a mid-point exactly like an acoustic piano. The MP11 uses Kawai’s Grand Feel action, which is oh-so-close to their current Grand Feel Compact action. ![]() Kawai MP11SE vs Roland RD-2000 – General Overview Roland RD-2000 Piano Action In this article, we’ll look closely at both instruments, cover the exact differences between the paino actions, sound engines as well as other features, and offer some suggestions as to who each piano will be ideally suited for. Whether it’s the full-length wooden-key keyboard action in the MP11SE or the thousands of onboard sounds and Piano Modelling Engine on the top RD series Roland, there is a lot to unpack. These are two of the most highly respected stage pianos in the business, and very common with professional musicians both on the stage and in the studio.īoth instruments have noteworthy features that make them equally unique in the space, for very different reasons. If you’ve ventured into the world of professional stage pianos, and are looking at the best the market has to offer, it’s pretty much guaranteed that during your piano research you’ve come across the Kawai MP11SE vs Roland RD-2000 comparison.
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